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everything i write sounds pretentious in here, sooo fuck it
I LYKE GUNZ

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(Source: str8boicore)

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uromancy:

Amos Nattini. Divina Comedia, 1923

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missbirdsong:

Mamma AnderssonSaga, 2013, intaglio print

Color sugar lift and spit bite aquatints with soft ground etching and drypoint printed on gampi paper chine collé
Image Size: 18¾ x 33¼ inches; paper Size: 27¾ x 41¼ inches
Edition Size: 30
Publisher: Crown Point Press
Printer: Emily York

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suchaniceprint:

Lou
2010

Jointly created by Mamma Andersson and Jockum Nordström

Color spit bite and sugar lift aquatints with aquatint and soft ground etching
Image Size:
15½ x 22”
Paper Size:
21½ x 28½”
Edition Size:
30
Publisher: 
Crown Point Press
Printer: 
Emily York
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suchaniceprint:

by Mamma Andersson
Abandoned
2008

Color spit bite and sugar lift aquatints with aquatint and soft ground etching
Image Size:
24¼ x 36”
Paper Size:
33¼ x 44”
Edition Size: 
40
Publisher: 
Crown Point Press
Printer: 
Emily York
38 notes / permalink

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saramaston:

Dogs.  etching, spitbite, & drypoint

© Sara Maston 2011

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vicemag:

'Disco Night Sept 11'

My tenth-grade American history teacher once told us that in the Civil War, twice as many men died of disease than died in combat.

That macabre Snapple fact is all I really remember from that class. It felt weighty, highlighting something that seemed revelatory because it was suddenly so goddamn obvious: War doesn’t exist in a vacuum. War exists in this world—this brutally unsexy place of sandwiches, video games, baseball, friends, soda, Walmart, foot cramps, allergies, and—of course—cold weather and disease. Maybe I was slow on the uptake, but this blew my little 15-­year-­old mind.

Now, ten years later, Magnum’s Peter van Agtmael plops his new book Disco Night Sept 11on my desk, and I’m suddenly having the revelation all over again, only this time with a more immediate relevance and bite.

Continue reading

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darksilenceinsuburbia:

Takeru Toyokura

Children Wonder 01

Cut and paste color paper and fuzzy felt

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drawings by schizophrenic people

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milwaukier-than-thou:

gene’s

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blastedheath:

Paul Signac (French, 1863-1935), Les Diablerets (L’Oldenhorn et le Bécabesson), 1903. Oil on canvas, 65 x 81 cm.

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olimpiazagnoli:

Flying Marina Abramovic, 2013. 

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